Thursday 28 April 2011
Wednesday 27 April 2011
Tuesday 26 April 2011
Monday 25 April 2011
Friday 22 April 2011
Thursday 21 April 2011
Wednesday 20 April 2011
Paul Graham
Photographs 1981-2006 @ The Whitechapel Gallery
Price £300
Paul Graham, Untitled, Paris, 1988, (Man on Metro)
Paper size: 22 x 17 inches (55.88 x 43.18cm), 20 x 15 inches (50.8 x 38.1cm)Price £300
Paul Graham: Photographs 1981-2006
20 April-19 June 2011 at the Whitechapel gallery
http://www.whitechapelgallery.org/exhibitions/paul-graham-photographs-1981-2006
Tuesday 19 April 2011
Monday 18 April 2011
Malerie Marder
Carnal Knowledge
6 April 2011 – 21 April 2011
London Dering Street
The American artist examines human intimacy by photographing friends and family undressed.
http://www.blainsouthern.com
Monday 11 April 2011
Elliott Wilcox
Courts
This work examines representations of the enclosed spaces of sports courts. In photographing the empty courts, absent of the fast paced action we are so familiar with, these environments reveal themselves in a new light. The non-judgemental image creates an experience to explore, a path to revealing the unnoticed and exposing the unexposed, consequently romanticising the courts.
http://www.elliottwilcox.co.uk/
This work examines representations of the enclosed spaces of sports courts. In photographing the empty courts, absent of the fast paced action we are so familiar with, these environments reveal themselves in a new light. The non-judgemental image creates an experience to explore, a path to revealing the unnoticed and exposing the unexposed, consequently romanticising the courts.
http://www.elliottwilcox.co.uk/
Friday 8 April 2011
Viviane Sassen
Flamboya
The use of bright, contrasting colors and a highly developed graphic eye for surface divisions, lines and relationships lend Sassen's work an unmistakably aesthetic character. It is pervaded with a timeless beauty inextricably connected with an underlying visual hierarchy that seems sculptural.
http://www.vivianesassen.com/
The use of bright, contrasting colors and a highly developed graphic eye for surface divisions, lines and relationships lend Sassen's work an unmistakably aesthetic character. It is pervaded with a timeless beauty inextricably connected with an underlying visual hierarchy that seems sculptural.
http://www.vivianesassen.com/
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