Sunday, 20 March 2011
Saturday, 19 March 2011
Asger Carlsen
Wrong
“Based on a true story” Asger Carlsen’s series of haunting and disturbing images denote a twisted world in daily happenings.
In some cases subtly surreal and in other blatantly blasted with a dystopian hallucinations, Asger's work is visionary and original.
In some cases subtly surreal and in other blatantly blasted with a dystopian hallucinations, Asger's work is visionary and original.
Max Sher
"Kars"
Kars is a town in northeastern Turkey near the Armenian border. From 1878 to 1918 it was part of Russia. This is where Orhan Pamuk’s novel “Snow” is set. Turkish for ‘snow’ is ‘kar’.
http://www.maxsher.com/
Kars is a town in northeastern Turkey near the Armenian border. From 1878 to 1918 it was part of Russia. This is where Orhan Pamuk’s novel “Snow” is set. Turkish for ‘snow’ is ‘kar’.
http://www.maxsher.com/
Friday, 18 March 2011
Li Hui
After the wind
"Li Hui's works leave you without words. Silence is the key to look at her world."
Morten Anderson
Fast City
"According to the I-Ching, boredom breeds darkness, and this may be truer in regards to Oslo than most other towns"--the photographer. A captivating, fast-paced, blurry-eyed, whirlwind tour of Oslo, by one of her native sons. A great, visual journal that follows no rules and adheres to no philosophy.
http://www.shadowlab.no/inside/inside.html
"According to the I-Ching, boredom breeds darkness, and this may be truer in regards to Oslo than most other towns"--the photographer. A captivating, fast-paced, blurry-eyed, whirlwind tour of Oslo, by one of her native sons. A great, visual journal that follows no rules and adheres to no philosophy.
http://www.shadowlab.no/inside/inside.html
Tereza Zelenkova
Supreme Vice
“It is the empirical, sometimes accidental meaning and beauty of Nature – as well as the overlooked obvious – that art portrays.” (Austin Osman Spare)
"Supreme Vice evolved from my interest in the 19th century occult revival that took place in the Western world. The work is contemplating our susceptibility to irrational beliefs that often stems from the desire to better understand the natural order of things in a time when God is dead and science is unable to provide us with satisfactory answers. However while this project reflects on these obscure 19th and early 20th century events, it is ultimately postmodern. The photographs that constitute Supreme Vice invoke death as the only objective truth of our existence. Nothing is real, everything is permitted."
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